"Both a system tech and FoH engineer, Peter has been letting production companies trial A Series on live stages with their reputations on the line, and backs his product 100%. At every demo rollout, Peter and his crew are there to install and tune the system, ensuring the best results."

"It's a strategy that is working. It’s simple, but so few do it – get your product in front of the right people, let them use it in the course of their work, and trust the quality of the product to make its case. It’s seen A Series appear on major events across the country since Peter joined MadisonAV a year ago."

"We talked to production managers and sound technicians about their experiences with A Series, and the feedback has been excellent."

“The VTX A system surpassed all my expectations,” says Ryan Hazell of Roll In Production Services. “I was expecting it to be good but not ‘that’ good. We were able to compare it pretty much side by side next to the big German manufacturer's latest system on the main Rolling Sets stage. The VTX A more than held its own and covered the space beautifully with a perfect deployment. For eight A8s on the main hangs, I did not expect the fullness and quality of the sound image coming from such a small format PA. This is what makes the A8s so versatile; lightweight, small footprint and a huge sound. The A8s married perfectly with the A6 infills, the sonic signature was seamless between the two boxes. Those A6s pack a punch! The sub deployment was also super impressive, 10 G28 in array pattern and cardioid configuration. It's rare to get such even sub coverage around the entire audience area. There were so many comments, it definitely had the edge in this regard over the main stage.”

“I've been Production Manager at BIGSOUND for 12 years,” says Eddie Gresack. “Last year, Peter Kubow from MadisonAV and I walked around and looked at different venues and talked about what would be a good fit for JBL A Series. We settled on Soapbox Brewery, which was a brand new venue for us and a brand new venue in terms of offering live music, plus Blute’s and The Sound Garden, which had existing PAs, but I wanted to make this special and was looking at ways to improve what was already a good space.”

“The JBL A Series rolled out very well. I was really happy with the way the system sounded in Soapbox Brewery, and both Blute’s and The Sound Garden were both huge improvements over their house systems. Tim Roberts, who is production manager for Blute’s, Black Bear Lodge, and The Brightside, liked the rig in Blute’s and he definitely thought it was an improvement on what they have. He was impressed enough to carry on the conversation about perhaps outfitting Brightside Backyard with JBL A Series. The Soapbox Brewery people were thrilled.”

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“We had about 80 lines off stage,” reports Marshall. “Hoodoo Gurus were playing through smaller amps than they usually would, backed by the 38-piece orchestra. The show was about two hours long, with an interval. Peter Kubow was system tech, I mixed the Gurus and Chris Neal mixed the orchestra.”

“We had 12 A12s per side, A8s as infill, and 15 subs in five stacks of three, run in cardioid. With just a single hang of 12s per side, it was very, very efficient PA. They expected 8,000 people to this free concert, and the final guesstimate was 15,000, almost double what they expected. It broke the record.”

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